{"id":5242,"date":"2021-03-29T10:52:58","date_gmt":"2021-03-29T08:52:58","guid":{"rendered":"https:\/\/nadinewilmanns.com\/?p=5242"},"modified":"2025-03-15T01:21:08","modified_gmt":"2025-03-15T00:21:08","slug":"daniela-reske","status":"publish","type":"post","link":"https:\/\/nadinewilmanns.com\/de\/daniela-reske","title":{"rendered":"Daniela Reske"},"content":{"rendered":"
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Interview and Photography by Nadine Wilmanns<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tKlicke hier f\u00fcr den Text auf Deutsch oder scrolle weiter nach unten.<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In Conversation with Daniela Reske<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Finally, I start what I`ve had in my mind for a while now: Every now and then I want to interview creatives whose work I find inspiring \u2013 photographers, fashion designers and other artists. We can learn so much from each other! Generally, I want to get into the habit of asking questions and most importantly of truly listening. My first interview for this blog is with one of my very favourite photographers,\u00a0Daniela Reske<\/a>. She has her studio in Reutlingen-Oferdingen\/Germany, and documents weddings internationally. Her pictures are like cinema \u2013 one-of-a-kind storyworlds filled with feeling and special moments. We met in her studio, a former boathouse by a river with huge old windows and a cozy fireplace.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Daniela, when I look at your work, I feel like in a movie that I want to keep on watching. How did you get to your unique visual language? <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I have always been intrigued by journalism, by pictures that are conveying the moment. When I started out as a photographer twelve years ago, the reportage approach in weddings wasn`t mainstream yet. It was offered by only a few photographers. In the US this approach of documenting the entire day had been common for some time though. Today, wedding documentaries are pretty much standard. I loved the idea of having a photo album that enables people to relive that special day. When are friends and family ever all together? To me it`s important to show what`s happening in a genuine way, to truly document.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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How do you put that into practice?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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I use a 35 mm prime lens. That makes my pictures look very cinematic. Instead of the typical portrait, I rather capture scenes. I have looked at photographs that I liked and analyzed them: How are things done technically? What do I need to master as a photographer? How do I need to act in order to enable these scenes and moments to unfold in front of me? I must not attract attention. Which challenges the use of a 35 mm lens. So, I have to be even more unobtrusive. This technique is a big part of my work. I don`t use zoom lenses, but I walk instead. And I know how I need to move.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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“To me it`s important to show what`s happening in a genuine way, to truly document.”<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Don`t you find that oftentimes people are immediately alarmed when they feel a camera pointed at them, either looking straight into the camera or turning away?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Often you can catch a funny moment when a person looks straight into the camera in just that moment when you want to press the shutter. When there`s a lot of interaction it`s easier for me. The more hustle and bustle the better. But I generally act very unobtrusive and am hardly noticed. However, at weddings, people are dressed up and want to be photographed. Because of its defined context, a wedding is an opportunity for many good photos \u2013 it certainly is different from going into town to take pictures.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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What makes a good picture for you?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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If it tells a story and if it`s touching \u2013 moving in any way and be it in a negative way. Of course, I`m pleased if the composition and light are right, too. But not the perfect picture is the good one. A trivial subject matter that`s captured with perfection often contains no emotion. A good picture is the one that conveys feeling and communicates the moment.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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So you can overlook flaws, for example when something is out of focus what really should be in focus? <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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If a potentially good picture is so blurred that I can`t use it, that of course annoys me. As I work a lot with my aperture wide open, it happens often, that something isn`t quite perfectly in focus. I can handle that. I think of the movies, where the focus is moved to the ear for the skin to look smoother. You must not be a perfectionist when doing documentaries, otherwise, you`ll end up unhappy. A picture has to communicate a strong story and strike a chord with the viewer. Everything else is a minor matter. That`s what I like about reportage.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"photographer\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Do you sometimes have nightmares about missing important moments at a photo event? <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The evidently important moments, like the kiss after the wedding ceremony, are certainly must-haves. When it comes to these moments, I take no risks, but I don`t expect any artistic masterpieces either. The truly brilliant pictures are captured in other situations. You cannot be everywhere at the same time, you can`t get everything, because so much is happening simultaneously. I am alert and focused and I pay close attention to what`s going on around me. At a wedding, I`m with the couple already in the morning, when they prepare for the day. I then notice which people are most important to them, who have a special relationship with them. Those, I want to capture often. I don`t search for moments, but I keep my eyes and my mind wide open.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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During conventional photo shoots, narrative moments don`t necessarily happen just like that. Nevertheless, you manage to maintain your expressive imagery\u2026 <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Generally, I try to keep photoshoots as natural as possible. I don`t have a plan of how the people are supposed to look in the photos. I always try to find out, what they are here for, and what attracted them to my images. In my photos, I try to reveal relationships. I don`t dictate poses. I set the context in order to allow the happenings to unfold freely. It`s very important that I show up easy-going, confident, and relaxed. So that the people in front of the camera can let go. If I`m insecure the shooting is not going to succeed. Confidence comes with practice though.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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After twelve years working as a photographer you probably have a lot of that! What have your biggest challenges as a photogrpaher been? <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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I find it difficult when people have a fixed image of how they want to come across. This is especially common in the business sector. I then feel like I have to put them in a costume, which I can`t. A challenge for every photographer is peoples` harsh self-criticism. Sometimes, while I`m photographing someone, that person points out that certain flaws can be retouched later. That`s when I start to communicate that I`m not here to make them slimmer. Of course, I picture everyone in an appealing, aesthetically pleasing way. If people aren`t at peace with themselves, I can`t do anything about that as a photographer though. I see the opposite, too: Last year, I had beautiful shootings with women, who told me that they wanted to be photographed because they feel they`re now at peace with themselves.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Im Gespr\u00e4ch mit Daniela Reske<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Endlich beginne ich, was ich schon lange vorhatte: Eine lose Interviewserie mit Kreativen, deren Arbeit ich beeindruckend finde \u2013 Fotografen, Modedesigner und andere K\u00fcnstler. Es gibt so viel zu lernen! Generell m\u00f6chte ich mir angew\u00f6hnen, viele Fragen zu stellen und vor allem gut zuzuh\u00f6ren. Mein erstes Interview ist mit einer meiner Lieblingsfotografinnen: Daniela Reske<\/a>. Sie hat ihr Atelier in Reutlingen-Oferdingen, reist aber auch schon mal ins Ausland, um Hochzeiten zu dokumentieren. Ihre Bilder sind wie Kino – einzigartige Erz\u00e4hlwelten, voller Gef\u00fchl und besonderer Augenblicke. Wir haben uns in ihrem Atelier getroffen, einem ehemaligen Bootshaus am Fluss mit riesigen alten Fenstern und gem\u00fctlichem Kaminfeuer.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Daniela, wenn ich mir deine Arbeiten anschaue, komme ich mir vor wie in einem Film, den man immer weiter schauen m\u00f6chte. Wie bist du zu deiner besonderen Bildsprache gekommen?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mich hat schon immer das Journalistische interessiert \u2013 Bilder, die im Moment passieren. Als ich vor zw\u00f6lf Jahren als Fotografin begonnen habe, war die Hochzeitsreportage noch nicht so etabliert. Es gab nur eine Handvoll Fotografen, die das gemacht haben. In den USA gab es die Bewegung schon l\u00e4nger, dass der ganze Tag begleitet und dokumentiert wird. Heute ist die Reportage im Hochzeitsbereich ja fast Standard. Ich fand die Idee sch\u00f6n, dass das es am Ende ein Album gibt, mit dem man diesen besonderen Tag nacherleben kann. Wann sind Freunde und Familie schon mal alle zusammen? Wichtig ist mir, das Geschehen so festzuhalten, wie es tats\u00e4chlich passiert ist \u2013 also wirkliche Reportage-Arbeit.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Wie setzt du das praktisch um?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ich fotografiere mit 35 mm Festbrennweite. Dadurch wirken die Bilder sehr filmisch. Statt klassischen Portraits, fange ich eher Szenen ein. Ich habe mir Sachen angeschaut, die mir gefallen haben und habe mir dann \u00fcberlegt: Wie ist das technisch gel\u00f6st? Was muss ich als Fotografin k\u00f6nnen? Wie muss ich mich verhalten, damit diese Szenen und Momente vor mir geschehen k\u00f6nnen? Ich muss unauff\u00e4llig sein. Das steht eigentlich im Widerspruch zu den 35 mm, also erfordert es noch mehr Zur\u00fcckhaltung von mir. Die Technik ist ein gro\u00dfer Teil meiner Arbeit. Ich zoome nicht, sondern laufe. Und ich wei\u00df, wie ich mich bewegen muss.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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“Wichtig ist mir, das Geschehen so festzuhalten, wie es tats\u00e4chlich passiert ist \u2013 also wirkliche Reportage-Arbeit.”<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Geht es dir nicht oft so, dass Leute sofort verschreckt her \u2013 oder weg \u2013 schauen, sobald eine Kamera auf sie gerichtet wird?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Oft erwischt man einen witzigen Moment, wenn eine Person gerade in die Kamera schaut. Wenn viel Miteinander stattfindet, ist es einfacher f\u00fcr mich. Je trubeliger, desto besser. Aber ich verhalte mich eben sehr zur\u00fcckhaltend und werde dann fast nicht mehr wahrgenommen. Auf Hochzeiten ist es au\u00dferdem so, dass sich alle sch\u00f6n zurechtgemacht haben. Die Leute wollen dann auch fotografiert werden. Durch den definierten Rahmen erm\u00f6glicht eine Hochzeit immer viele gute Bilder – anders als w\u00fcrde man einfach in die Stadt gehen und fotografieren.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Was macht f\u00fcr dich ein gutes Bild aus?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wenn es eine Geschichte erz\u00e4hlt und ber\u00fchrt – auf irgendeine Art und Weise, das kann auch negativ sein. Nat\u00fcrlich freut es mich, wenn dazu noch Komposition und Licht stimmen. Aber nicht das perfekte Bild ist das Gute, sondern das emotionale Bild, das den Moment r\u00fcberbringt. Ein gew\u00f6hnliches Motiv, bei dem alles perfektioniert ist, hat dagegen oft keine Emotion.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dann kannst du also gut dar\u00fcber hinwegsehen, wenn zum Beispiel mal was nicht ganz scharf ist, was eigentlich im Fokus sein sollte?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wenn ein potentiell gutes Bild unbrauchbar unscharf ist, \u00e4rgert es mich nat\u00fcrlich. Ich arbeite viel offenblendig, da passiert es schnell, dass der Fokus nicht perfekt ist. Damit kann ich gut umgehen. Ich denke da an den Film, bei dem absichtlich der Fokus aufs Ohr gelegt wird, damit die Haut sch\u00f6ner wirkt. Du darfst bei Reportagen nicht perfektionistisch sein, sonst wirst du ungl\u00fccklich. Ein Bild soll starke Geschichten erz\u00e4hlen und emotional ber\u00fchren, das andere ist Nebensache. Gerade das mag ich an der Reportage.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hast du manchmal Alptr\u00e4ume, wichtige Momente eines Fotoevents zu verpassen?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Die vordergr\u00fcndig wichtigen Momente, wie der Kuss nach der Trauung, sind nat\u00fcrlich Must-Haves. Da gehe ich einfach auf Sicherheit und erwarte keine gro\u00dfen Kunstwerke. Die wirklich guten Bilder mache ich an anderen Stellen. Du kannst nicht immer \u00fcberall sein, kannst nicht alles erwischen, denn es geschieht ja so viel gleichzeitig. Ich bin aufmerksam und fokussiert und achte darauf, was um mich herum passiert. Weil ich schon morgens bei den Vorbereitungen dabei bin, bekomme ich mit, wer die wichtigen Menschen im Umfeld des Paares sind, wer einen besonderen Bezug hat. Da schaue ich, dass die oft festgehalten sind. Ich suche die Momente nicht, sondern ich halte Augen und Geist offen.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Bei klassischen Fotoshootings kommen erz\u00e4hlende Momente nicht unbedingt von selbst. Trotzdem schaffst du es auch da, deine ausdrucksstarke Bildsprache beizubehalten...<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Auch Fotoshootings versuche ich so nat\u00fcrlich wie m\u00f6glich zu halten. Ich habe keinen Plan im Kopf, wie die Menschen auf den Bildern aussehen sollen. Ich versuche immer herauszufinden, warum sie hier sind, was sie an meinen Fotos angezogen hat. Auf den Bildern versuche ich, Beziehungen zu zeigen und gebe keine Posen vor. Ich konstruiere den Rahmen, um dann m\u00f6glichst viel dem Geschehen selbst zu \u00fcberlassen. Wichtig ist, dass ich als Fotografin Coolness, Selbstverst\u00e4ndlichkeit und Entspanntheit mitbringe, damit die Menschen vor der Kamera loslassen k\u00f6nnen. Wenn ich unsicher bin, wird das Shooting nichts. Sicherheit kommt aber mit \u00dcbung.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Was waren oder sind deine gr\u00f6\u00dften Herausforderungen als Fotografin?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Schwierig wird es, wenn Menschen eine zu konkrete Vorstellung davon haben, wie sie wirken m\u00f6chten. Das kommt vor allem im Business-Bereich vor. Ich habe dann das Gef\u00fchl, ich muss ihnen ein Kost\u00fcm anziehen, was ich ja gar nicht kann. Eine Herausforderung f\u00fcr jeden Fotografen ist, dass Menschen oft sehr selbstkritisch sind. Manche weisen schon w\u00e4hrend des Shootings darauf hin, dass man ja retuschieren k\u00f6nne. Da fange ich bereits an, zu vermitteln, dass ich als Fotograf nicht dazu da bin, sie schlanker zu machen. Nat\u00fcrlich fotografiere ich jeden sch\u00f6n und \u00e4sthetisch ansprechend. Wenn Menschen mit sich selbst nicht im Reinen sind, dann kann ich da als Fotograf nichts machen. Ich erlebe auch das Gegenteil: Letztes Jahr hatte ich sehr sch\u00f6ne Shootings mit Frauen, die sagten, sie wollen intimere Fotos von sich, weil sie jetzt mit sich im Reinen sind.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Interview with Daniela Reske: “You must not be a perfectionist when doing documentaries, otherwise you`ll end up unhappy.”<\/p>","protected":false},"author":2,"featured_media":5257,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"INTERVIEW WITH PHOTOGRAPHER DANIELA RESKE. \"You must not be a perfectionist when doing documentaries, otherwise you`ll end up unhappy. 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